Poorvam International Journal  ·  ISSN 3107-6866

Advancing conversations
in arts & culture

A peer-reviewed biannual journal publishing research, critique, and creative expression at the intersection of classical traditions and contemporary thought.

Poorvam International Journal — arts and culture
Publisher Dhvani Publication
Frequency Bi-annual
Since 2025
DOI Prefix 10.63752/pijcace
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Prof Nirmalya Narayan Chakraborty Speaker

Prof Nirmalya Narayan Chakraborty

Nirmalya Narayan Chakraborty is presently Vice-Chancellor of Presidency University, Kolkat…

Cite It: A Cautionary Note on Matilal’s Way of D…
Prof Dan Zahavi Speaker

Prof Dan Zahavi

Dan Zahavi is a Professor of Philosophy and director of the Center for Subjectivity Resear…

Being We: Phenomenological Contributions to Soci…
Arjun Bharadwaj Speaker

Arjun Bharadwaj

Arjun Bharadwaj is an author and researcher with a deep interest in classical literature, …

The Dramatic Element in Kumārasambhavam – A Dial…
Prof Jonardon Ganeri Speaker

Prof Jonardon Ganeri

Jonardon Ganeri is the Bimal. K. Matilal Distinguished Professor of Philosophy at the Univ…

Fernando Pessoa: Imagination and the Self – A Di…
Prof Madhucchanda Sen Speaker

Prof Madhucchanda Sen

Prof. Madhucchanda Sen is a Professor of Philosophy at Jadavpur University, where she has …

Exploring the Externalism and the Mental : A Dia…
Prof. Jay L. Garfield Speaker

Prof. Jay L. Garfield

Prof. Jay L. Garfield FAHA is the Doris Silbert Professor in the Humanities and Professor …

Exploring the Subject as Freedom: A Dialogue wit…
Prof. Nalini Bhushan Speaker

Prof. Nalini Bhushan

Prof. Nalini Bhushan is Andrew W. Mellon Professor Emerita in the Humanities and Professor…

Exploring the Subject as Freedom: A Dialogue wit…

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PIJCACE  ·  Poorvam International Journal

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Featured Content

Showing 2 of 14 articles

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Critical and Analytical Essays Open Access Jun 2025

The Psychological Background of Colour Symbolism in Sri Lankan Traditional Masks

R.A.N.N.I De Alwis

The Low Country dance tradition of Sri Lanka, centred in the Southern and parts of the Western Province, features three stylistic schools: Matara, Benthara, and Raigama. Central to these traditions are ritual healing ceremonies (shantikarma) and popular folk dramas (Kolam), where masks play a vital role. These masks serve as powerful storytelling tools, generating humour and portraying a wide range of characters, thereby evoking strong emotional responses in audiences. Despite the cultural significance of Sri Lankan traditional masks, there is limited scholarly focus on how their colour symbolism influences psychological engagement and ritual effectiveness. This gap hinders a deeper understanding of how traditional performances impact mental states, emotions, and social cognition. The colours on these masks are not arbitrary; they psychologically stimulate the audience and convey messages about a character’s masculinity, social status, and moral orientation. This study adopts a qualitative methodology, incorporating interviews, observations, and literature reviews. Mask performers involved in shantikarma and Kolam drama were observed over one month, with in-depth interviews conducted over four months. Drawing from psychological theories of colour perception and cultural semiotics, the research highlights how colour choices in mask design are intentionally crafted to influence both performers and spectators. The study reveals that these colours enhance narrative impact and serve therapeutic purposes within ritual contexts. Thus, Sri Lankan masks, a profound element of the nation’s cultural heritage, demonstrate a sophisticated understanding of colour’s psychological effects, enriching both performance art and communal healing practices.

Critical and Analytical Essays Open Access Jun 2025

The Ferocious Consciousness: Spirit Subjugation and the Dissolution of Otherness in the Bhūtaḍāmara Tantra

Swastik Banerjee

This essay investigates the text Bhūtaḍāmara Tantra, examining a philosophical tension: “How does a tantra so deeply embedded in ritual coercion reconcile itself with the language of liberation?” The analysis of this issue is conducted through the central deity, Krodha Bhairava, interpreted as Ferocious Consciousness—an expression of Consciousness that subjugates not only spirits but also the fundamental structure of ‘otherness’ within awareness. An examination of the key practices described in the text, viewed through the lens of Trika doctrine, suggests that an effort is made to establish non-contradiction to non-dual liberation through the fierce realisation of Consciousness.

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PIJCACE  ·  Poorvam International Journal

Journal Information

Imprint Details
Full Title
Poorvam International Journal of Creative Arts and Cultural Expressions
Abbreviation
PIJCACE
Frequency
Bi-annual
Subject
Multi-disciplinary
Language
English
Publication Format
Online
DOI Prefix
10.63752/pijcace
ISSN
3107-6866
Editor-in-Chief
Amritanath Bhattacharya
Starting Year
2025
Website
https://poorvam.com
Publisher
Dhvani Publication
Email
editor@poorvam.com
COPE Compliant Open Access DOI Registered Double-Blind Review
Latest Issue
Winter 2025 Cover
Winter 2025
2025 Founded
Per Year
OA Open Access

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