Cite It
Enrollment Open
A peer-reviewed biannual journal publishing research, critique, and creative expression at the intersection of classical traditions and contemporary thought.
Join our hybrid seminars where scholars, artists, and practitioners from across the globe gather to explore the living traditions of Indian heritage in contemporary and digital arts.
View All Events
Cite It
Enrollment Open
Authors in Conversation
Enrollment Open
Authors in Conversation
Enrollment Open
Speaker
Nirmalya Narayan Chakraborty is presently Vice-Chancellor of Presidency University, Kolkat…
Cite It: A Cautionary Note on Matilal’s Way of D…
Speaker
Dan Zahavi is a Professor of Philosophy and director of the Center for Subjectivity Resear…
Being We: Phenomenological Contributions to Soci…
Speaker
Arjun Bharadwaj is an author and researcher with a deep interest in classical literature, …
The Dramatic Element in Kumārasambhavam – A Dial…
Speaker
Jonardon Ganeri is the Bimal. K. Matilal Distinguished Professor of Philosophy at the Univ…
Fernando Pessoa: Imagination and the Self – A Di…
Speaker
Prof. Madhucchanda Sen is a Professor of Philosophy at Jadavpur University, where she has …
Exploring the Externalism and the Mental : A Dia…
Speaker
Prof. Jay L. Garfield FAHA is the Doris Silbert Professor in the Humanities and Professor …
Exploring the Subject as Freedom: A Dialogue wit…
Speaker
Prof. Nalini Bhushan is Andrew W. Mellon Professor Emerita in the Humanities and Professor…
Exploring the Subject as Freedom: A Dialogue wit…
Authors in Conversation
Authors in Conversation
Authors in Conversation
Poorvam International Journal is committed to maximum visibility and scholarly impact. Our content is discoverable through leading academic indexes and databases, ensuring global reach for researchers across every discipline.
DOI Registration & Global Registry
Published Content Integrity
Scholarly Literature Search
European Open Research Infrastructure
AI-Powered Research Discovery
Global Open Scholarly Metadata
Scientific Literature Database
Open Ukrainian Citation Index
Research Discovery by Editage
Publisher Verification
All indexing is independently verified. DOI prefix 10.63752/pijcace registered with Crossref.
The Low Country dance tradition of Sri Lanka, centred in the Southern and parts of the Western Province, features three stylistic schools: Matara, Benthara, and Raigama. Central to these traditions are ritual healing ceremonies (shantikarma) and popular folk dramas (Kolam), where masks play a vital role. These masks serve as powerful storytelling tools, generating humour and portraying a wide range of characters, thereby evoking strong emotional responses in audiences. Despite the cultural significance of Sri Lankan traditional masks, there is limited scholarly focus on how their colour symbolism influences psychological engagement and ritual effectiveness. This gap hinders a deeper understanding of how traditional performances impact mental states, emotions, and social cognition. The colours on these masks are not arbitrary; they psychologically stimulate the audience and convey messages about a character’s masculinity, social status, and moral orientation. This study adopts a qualitative methodology, incorporating interviews, observations, and literature reviews. Mask performers involved in shantikarma and Kolam drama were observed over one month, with in-depth interviews conducted over four months. Drawing from psychological theories of colour perception and cultural semiotics, the research highlights how colour choices in mask design are intentionally crafted to influence both performers and spectators. The study reveals that these colours enhance narrative impact and serve therapeutic purposes within ritual contexts. Thus, Sri Lankan masks, a profound element of the nation’s cultural heritage, demonstrate a sophisticated understanding of colour’s psychological effects, enriching both performance art and communal healing practices.
This essay investigates the text Bhūtaḍāmara Tantra, examining a philosophical tension: “How does a tantra so deeply embedded in ritual coercion reconcile itself with the language of liberation?” The analysis of this issue is conducted through the central deity, Krodha Bhairava, interpreted as Ferocious Consciousness—an expression of Consciousness that subjugates not only spirits but also the fundamental structure of ‘otherness’ within awareness. An examination of the key practices described in the text, viewed through the lens of Trika doctrine, suggests that an effort is made to establish non-contradiction to non-dual liberation through the fierce realisation of Consciousness.
A constellation of interconnected platforms, publications, and people — all united by a commitment to open, ethical, and world-class scholarly exchange.
A unified platform for open scholarly communication — connecting authors, reviewers, and readers across disciplines.
Our flagship peer-reviewed biannual journal publishing research and creative expression at the intersection of arts and culture.
The publishing imprint of Poorvam — bringing scholarly monographs, edited volumes, and creative works to global audiences.
Carcā (चर्चा) extends the Poorvam knowledge network - A living space for dialogue and learning
Your destination for literary excellence, cultural commentary, and profound reflections from India and the world.
An open-access, peer-reviewed, multidisciplinary biannual e-journal publishing original research and creative scholarship by students across Science, Arts, and Commerce.
Are you a researcher or creative artist? Submit your manuscript and join our vibrant community.
Submit Your Work